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• 23:22
  The Noseda effect

  classical music documentary

  The Noseda Effect A film by Alex Olegnowicz The Noseda Effect is an intimate portrait of Gianandrea Noseda, filmed over three years, from his hometown of Milan, at the famous Teatro alla Scala, and continues at the Juilliard School, the Kennedy Center, the Metropolitan Opera and the Zurich Opera. The film features interviews with his family, friends and artistic collaborators, including Piotr Beczała, Renée Fleming, Stefano Poda and many others. The film includes footage of rehearsals with the Filarmonica della Scala, the Juilliard Orchestra, the National Symphony Orchestra, as well as a soundtrack from Noseda's extensive discography.

• 0:22
  Mozart: Piano Concerto no.20 - Ivan Klanský

  classical concert

  Ivan Klanský (piano) Virtuosi de Praha, Jirí Belohlávek (conductor) Wolfgang Amadeus Mozart 1756 - 1791 Piano Concerto no.20 in D minor K 466 1990 Directed by Janos Darvas

• 0:52
  Mozart : Symphony no. 39 - Deutsche Kammerphilharmonie, David Zinman

  classical concert

  Deutsche Kammerphilharmonie, David Zinman (conductor) Wolfgang Amadeus Mozart 1756 - 1791 Symphony no. 39 in E-flat Major, K. 543 1990 Directed by Janos Darvas

• 1:23
  Mozart: Symphony no. 40 - Radio-Sinfonieorchester Stuttgart, Gianluigi Gelmetti

  classical concert

  Radio-Sinfonieorchester Stuttgart, Gianluigi Gelmetti (conductor) Wolfgang Amadeus Mozart 1756 - 1791 Symphony no. 40 in G minor, K. 550 Directed by Janos Darvas 1991

• 1:53
  Richard Strauss and his Heroines

  classical music documentary

  Richard Strauss and his Heroines Divorce! After six years of marriage the choleric and chronically jealous Pauline, daughter of a general, has had enough of Richard Strauss. Pauline always knew it: her husband who at 36 is celebrated as the most important living German composer across the globe is cheating on her. His congeniality and moral uprightness is just a mask! Are his inspirations for the erotic escapades which are the basis of several of his tone poems and songs based on the love affairs of the artist? The film Richard Strauss and his Heroines goes on an exciting journey discovering the women in Strauss' life. At the focus is primarily his relationship with Pauline, to whom he was married for over 55 years up to his death. Until today she applies as a harridan who often embarrassed her husband in public. It hereby falls under the table that Strauss at the beginning and the end of his relationship composed his finest songs for the trained singer who gave up her career for him and covered his back for the rest of his life. What was it that made the broken old man, who experienced the most varied of epochs in German history, from the Empire to the Nazi dictatorship to the post-war period, write in 1948 in his final song ('At Sunset') one of the most moving declarations of love in the history of music: 'We have through sorrow and joy gone hand in hand'? Richard Strauss and his Heroines - this is the first filmed search for clues about the unforgettable heroines created by Strauss. It is both the story of a turbulent, and at the end moving, love story of two people who were prepared to walk through fire for each other. We visit Strauss' last surviving grandchild in Garmisch and we meet the great Strauss singers Brigitte Fassbaender, Reneé Fleming, Dame Gwyneth Jones and Christa Ludwig, who report on their famous Strauss roles. With the conductor Franz Welser-Möst we research the secret of Strauss' instrumentation genius. Strauss expert Christoph Wagner-Trenckwitz, member of the board of the Vienna Volksoper, leads us through the film. Directed by Thomas von Steinaecker 2014

• 3:00
  Johann Strauss: Die Fledermaus - Opéra de Lille

  opera

  La Chauve-Souris (Die Fledermaus) Operetta in three acts by Johann Strauss II 1825-1899 Libretto by Carl Haffner and Richard Genée based on 'Le Réveillon' by Henri Meilhac and Ludovic Halévy First performance in Vienna, Theater an der Wien, 5 April 1874. New production adapted in French based on the text and the names of the characters of 'Le Réveillon' Orchestre de Picardie, Johanna Malangré (musical direction) Chorus of the Lille Opera Laurent Pelly (stage direction, costumes) Chantal Thomas (set design), Michel Le Borgne (lighting) Agathe Mélinand (adaptation of the libretto, dialogues), Moshe Leiser, Patrice Caurier (French adaptation of the sung texts) Guillaume Andrieux (Gaillardin) Camille Schnoor (Caroline) Marie-Eve Munger (Adele) Christophe Gay (Duparquet) Raphaël Brémard (Bidard) Franck Leguérinel (Tourillon) Héloise Mas (Le prince Orlofsky) Julien Dran (Alfred) Eddy Letexier (Léopold) Claire Antoine (Ida) Lille, Opéra, 11 June 2024

• 5:08
  Dietrich Fischer-Dieskau: Last Words

  classical music documentary

  Dietrich Fischer-Dieskau: Last Words The great German baritone Dietrich Fischer-Dieskau was greatly admired for his interpretive insight, note-perfect control of the tonal qualities, and shadings of color in his voice, for exceptional rhythmic sense and impeccable diction. His reputation as a lieder singer is so high - he had a repertoire of more than 3.000 songs - that it is easy to forget his extensive list of operatic roles. In this conversation Fischer-Dieskau reveals for the last time on camera the secrets of his outstanding career. His 'Last Words' provide a deep insight into the extraordinary artistic life of one of the most famous and prolific lieder singers of our time. Dietrich Fischer-Dieskau died in May 2012 at the age of 86. Directed by Bruno Monsaingeon 2013

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